Camelopardalis
One of the 88 IAU constellations. Plancius (1612) meant and drew the Latin giraffe and not the camel, but the strange word was sometimes misunderstood by other astronomers as camel. For example, a camel is depicted by the famous Italian globe maker Coronelli. So until the constellations were canonized, there were two interpretations of this animal.
Etymology and History
Camelopardalis was invented in 1612 by Petrus Plancius and represents a giraffe. The constellation’s name is Greek Καμηλοπάρδαλις, which was adopted by ancient authors into Latin Camelopardalis (e.g. Pliny the Elder, Naturalis Historia VIII, 69), derived from the words for “camel” and “leopard”, reflecting an animal suited to hot climates like a camel, yet marked with spots like a leopard.
The Latin word Camelopardalis is a transcription of the Greek word for giraffe and literally means “spotted camel,” but this was probably already forgotten in Roman times. Incidentally, the fact that it is a Greek loanword explains the ending -is instead of -us in the nominative case of the name. It also explains why the nominative and genitive cases are the same in Latin.
In the 19th century, Bode wrote “der Kameelopard,” which in German is more reminiscent of spotted big cats such as leopards (“spotted lions”) or cheetahs. However, he also means a giraffe and only refers to the alternative interpretation in the text. The correct term “Cameloparalis” used by Delporte for the IAU is sometimes confusing, because the Greek loanword in Latin also led to the (misleading) Latin variants Camelopardus and Camelopardalus. The original Greek form comes from “pardalis” (spotted) as an adjective to “kamelos” (camel).
Origin of Constellation
Although it is a relatively large constellation located in the circumpolar region, which is always visible, no figure was defined here in ancient times. The area between Cassiopeia, Perseus, and the Big Dipper was constellation-free. In the first generations after the introduction of the telescope for observing the sky, some astronomers had begun to establish a “new astronomy” and accept new constellations. The Dutch globe maker Petrus Plancius had already defined new constellations in the southern sky before 1600 and later began to fill the constellation-free areas in the northern sky with figures. Plancius had suggested the name Camelopardalis for this empty area in 1612.
Petrus Plancius (...)
[to be written]
Jacob Bartsch (1600-1632)
In 1624, Bartsch published Usus astronomicus planisphaerii stellati, a book of star charts that included several new constellations first proposed around 1613 by the Dutch cartographer Petrus Plancius. Among these was Camelopardalis, the constellation representing a giraffe, which Bartsch depicted on his charts based on Plancius’s celestial globe created by Pieter van den Keere.
Bartsch's description of the constellation in Usus astronomicus planisphaerii stellati reads:
V. CAMELOPARDALIS, Καμηλοπάρδαλις, Ital. Giraffa, Greyff, animal cameli proceritate, pantherae colore, bovis pedibus: ex informibus circa polum arcticum, iis stellulis Cassiopeiae & Aurigam, recentioribus sic formatur. Mihi sit Camelus Rebeccae, quo cum Abrahami servo ad Isacum profecta. Gen. 24. v. 61 & 65.
Camelopardalis, Καμηλοπάρδαλις, in Italian Giraffa, the giraffe. An animal the height of a camel, the colour of a panther, and the feet of an ox. It is formed from faint stars near the Arctic Pole, between Cassiopeia and Auriga, as established by more recent astronomers. Let it be to me the camel of Rebecca, with which she journeyed with Abraham’s servant to Isaac. (Genesis 24:61, 65)
Transfer and Transformation of the Constellation
Hall () Camelopardalis
Mythology
The mythological interpretation of this European constellation does not lie in Greek culture, but rather in contemporary Christian culture. Confusingly, it refers to the (incorrect) reading of the word as camel instead of giraffe. It is said to have been the mount on which the Old Testament character Rebekah was brought to her bridegroom.
In the Book of Genesis in the Bible and in the Talmud, the various tribes and peoples are personified and their connections prefigured. According to this story, old Abraham sent a servant to the Arameans to find a wife for his son Isaac. The selection criterion was godliness, and Rebekah had demonstrated this by not only giving the servant a drink at his request, but also his camels. So he asked for her hand for Isaac and brought the caring woman to Canaan.
Normally, men walk alongside the camels and guide the caravan, because a camel will simply stop if a rein or strap to the next animal breaks. Riding is reserved for women.
