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(The Indigenous Arabian constellations of The Horse and The Camel next to the adopted Greek constellation of the Chained Maiden (Andromeda) in an al-Sufi manuscript. Islamic Arts Biennale 2025 exhibition: of al-Faras al-Kamil and al-Naqa) |
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== Summary == |
== Summary == |
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The Indigenous Arabian constellations of The Horse and The Camel next to the adopted |
The Indigenous Arabian constellations of The Horse and The Camel next to the adopted Syrian constellation of the Love Goddess with a Fish ([[Andromeda]]) in an al-Sufi manuscript dating AH 519/ 1125 CE, copied by 'Ali bin 'Abd al-Jalil bin 'Ali bin Muhammad. [https://biennale.org.sa/en/biennales/islamic-arts-biennale/islamic-arts-biennale-2025 Islamic Arts Biennale 2025 exhibition]: of al-Faras al-Kamil and al-Naqa. (Museum of Islamic Art in Doha, Qatar. MS.2.1998), study by [https://www.academia.edu/11565988/The_Most_Authoritative_Copy_of_%CA%BFAbd_al_Rahman_al_Sufi_s_Tenth_century_Guide_to_the_Constellations_In_God_is_Beautiful_He_Loves_Beauty_The_Object_in_Islamic_Art_and_Culture_ed_by_Sheila_Blair_and_Jonathan_Bloom_New_Haven_Yale_UP_2013_pp_122_155 Emilie Savage-Smith (2013)]. |
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== Licensing == |
== Licensing == |
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Latest revision as of 20:54, 20 April 2025
Summary
The Indigenous Arabian constellations of The Horse and The Camel next to the adopted Syrian constellation of the Love Goddess with a Fish (Andromeda) in an al-Sufi manuscript dating AH 519/ 1125 CE, copied by 'Ali bin 'Abd al-Jalil bin 'Ali bin Muhammad. Islamic Arts Biennale 2025 exhibition: of al-Faras al-Kamil and al-Naqa. (Museum of Islamic Art in Doha, Qatar. MS.2.1998), study by Emilie Savage-Smith (2013).
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| current | 19:14, 20 April 2025 |  | 1,658 × 1,234 (2.88 MB) | Sushoff (talk | contribs) | The Indigenous Arabian constellations of The Horse and The Camel next to the adopted Greek constellation of the Chained Maiden (Andromeda) in an al-Sufi manuscript. Islamic Arts Biennale 2025 exhibition: of al-Faras al-Kamil and al-Naqa |
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